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Vintage Floral Scroll Border Machine Embroidery Design combines sweeping golden scrollwork, layered pink flowers and softly shaded green foliage. The composition is created for large decorative textile projects, including table runners, curtains, bedding and interior panels.
This product contains one border design in two prepared sizes. The second technical chart shows the larger version in a vertical orientation; it is not a separate motif. Both files include registration marks for joining consecutive sections into a longer border.
| Product type | Digital machine embroidery design |
|---|---|
| Number of designs | 1 |
| Sizes included | 2 |
| Minimum embroidery fields | 200x300 mm / 8x12" and 200x360 mm / 8x14.2" |
| Embroidery character | Multicolor fill and satin embroidery with open areas between flowers, leaves and ornamental scrolls |
| Joining method | Built-in registration marks for accurate alignment of consecutive border sections |
| Thread chart | 6 Madeira Classic 40 colors, 8 color blocks and 7 color changes |
| Delivery | Instant digital ZIP download |
| Exact Design Size and Stitch Count | Minimum Compatible Hoop |
|---|---|
| Size: 282.6x192.4 mm (11.13x7.57"). Stitches: 37700 | 200x300 mm / 8x12" |
| Size: 198.3x314.4 mm (7.81x12.38"). Stitches: 42800 | 200x360 mm / 8x14.2" |
DAT, DST, EXP, HUS, JEF, PEC, PES, SEW, VIP, VP3 and XXX
The first product below is the direct companion set from the same floral collection. It contains a long horizontal border and two coordinated corner compositions with matching pink flowers, green foliage and golden scrollwork.
Both sizes use the same six Madeira Classic 40 colors and the same sequence of eight color blocks.
| Color | Madeira Classic 40 | Design Element | |
|---|---|---|---|
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1248 | Light foliage and leaf foundations | |
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1170 | Dark leaf shading and details | |
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1223 | Golden ornamental scrollwork | |
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1108 | Soft pink flower layers and buds | |
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1109 | Deep pink flower details | |
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1110 | Raspberry flower accents |
Color-block sequence: 1248, 1170, 1223, 1108, 1223, 1108, 1109, 1110.
| Fabric | Recommended Stabilizer | Needle |
|---|---|---|
| Medium-weight linen or cotton, 150–220 g/m² | Firm cut-away stabilizer, approximately 60–80 g/m² | Embroidery or sharp needle 75/11 |
| Dense table linen, twill or decorative cotton, 220–300 g/m² | Firm cut-away stabilizer, approximately 60–80 g/m² | Sharp needle 75/11 or 80/12 |
| Lightweight or loosely woven linen, 90–150 g/m² | Fusible polymesh against the fabric with an additional light cut-away layer | Sharp needle 70/10 or 75/11 |
| Satin or decorative woven fabric, 100–180 g/m² | Soft fusible cut-away stabilizer, approximately 40–60 g/m² | Sharp needle 75/11 |
| Velvet, short-pile velour or terry cloth | Firm cut-away underneath and a thin water-soluble topping above the fabric | Embroidery needle 75/11 |
Yes. The files contain registration marks intended for joining consecutive sections accurately. They provide fixed reference points for controlling the distance and direction of each new hooping.
A single mark identifies the joining point, but it does not control the angle of the next section. Aligning two marks keeps the repeated border on the same baseline and preserves the intended spacing between motifs.
Mark the fabric grain and draw one removable baseline across the complete embroidery area. Position the full-size printed template over that line and mark the center and both outer limits. Begin from the center of the runner when the border must remain visually balanced at both ends.
Fuse a lightweight polymesh stabilizer to the wrong side and add a firm cut-away layer beneath it. The fusible layer controls the open weave, while the cut-away layer supports the filled flowers, leaves and long satin scrolls.
Yes. Embroidering the design while the fabric is still a flat panel provides more room for hooping and makes the baseline and registration marks easier to align. Sew the hems, lining and side seams after the embroidery is completed.
Hoop the stabilizer and secure the fabric above it, or use a magnetic hoop. Place a thin water-soluble topping over the pile so the decorative stitches remain visible above the surface. Remove the topping after embroidery without pulling the stitched details.
Preserve the contrast between the paired shades. Use one light and one dark green for the foliage, a clearly contrasting color for the ornamental scrollwork and three progressively darker shades for the flowers. The palette may change, but the light-to-dark relationship should remain.
Place the excess fabric on a level surface beside the embroidery machine and keep it clear of the moving hoop. Roll or loosely fold the remaining textile so its weight does not hang from the embroidery arm or restrict the carriage.
Designed and professionally digitized by Ludmila Konovalova for Royal Present Embroidery.